Our new show, Thorne & Cross: Haunted Nights Live!, is all about horror. We’ll be interviewing your favorite authors, discussing books, movies, and your ghost stories, among other things. Our first guests include Douglas Clegg, Glen Hirshberg, and Michael Aronovitz! The show premiers November 6th on the Authors on the Air station at Blog Talk Radio. URL coming soon!
By the way, my Halloween novel, Bad Things is currently on sale!
A few months back, Alistair Cross and I we were interviewed by Pam Stack at Authors on the Air. We had a great time on the show and the three of us quickly double entendered ourselves into a fast friendship. A few weeks ago, Pam asked us if we would be interested in hosting some horror-themed shows in October. This sounded like a lot of fun and we agreed, though we’ve kept it under our Halloween masks until today.
Since, Pam has invited us to host our very own brand new radio show… so starting in November, we will be hosting Thorne & Cross: Haunted Nights Live. We will be interviewing horror authors and other macabre personalities, talking about horror in general, telling ghost stories – ours and yours – and are planning some very special T&A – style features for your amusement.
Already, we have an impressive list of excellent horror authors on tap, ready to share their personal stories in the horror industry as well as the secrets of their writing processes. But don’t expect deep dark critiquing and heavy duty analysis. If you follow us on Facebook, you know we like to have fun. We’ll talk about books and movies, the publishing world and about our own writing processes, as well as our unique methods for breaking writer’s block and other catastrophes.
A shiny new Facebook page for our show will appear soon, but you can friend us right now on our individual Facebook pages at Tamara Thorne and Alistair Cross. We welcome questions and suggestions.
We have a vision. We want Haunted Nights Live to be the liveliest show about dead things in existence! It will be Halloween all year long at Thorne & Cross: Haunted Nights Live. Boo!
A radio interviewer asked Alistair Cross and me how we write together and that was one of the most eye-opening questions we’ve ever had. She was amazed when we told her our method and said she’d never heard of anyone writing like that before. Evidently, many writers split things up with one brainstorming and the other writing. Neither of us can even imagine having any fun doing our job this way. To not be allowed to brainstorm would be horrible! And to not write would be just as bad! We can each imagine this working in non-fiction, but in fiction, if you don’t love both sides – creating and writing – where does that leave you? How can you imagine ideas for your plot and characters without being able to set them down as well, and vice versa? Can a good writer write without his or her imagination taking off and soaring to the heavens? It sounds absolutely horrible to us.
Our collaborations are a 50/50 effort. We plot together, we develop characters together, and we even transcribe together by getting on Skype, opening the Cloud, and working side by side. Sometimes Tamara takes the lead, sometimes Alistair does – but nothing is written without both of us present. We each have our own individual strengths and weaknesses, and we each are aware of the other’s. Luckily for us – as we learned early on – our weaknesses and strengths balance out; where one of us has difficulty, the other is at ease.
One very important part of our process that we stress very much when asked about it, is the personal side of our relationship. Writing is a job, a business, and although we are business partners, we are also friends. We may share the same vision, the same sensibilities, and even similar writing styles, but all of this is pointless without three very important elements: respect, honesty, and loyalty.
Respect comes first. We are aware of each other’s time. We meet every day, six days a week, and work anywhere from 8 to 10 hours. But if something comes up or one of us is running late, we are okay with that.
As for honesty… honesty is something you have to be comfortable with if you intend to write with another person. If one of us hates what the other is writing – though it hasn’t really happened – we’d say so… but kindly. If one of us isn’t feeling the same vibe as the other and thinks the story needs to go a different direction, we discuss it openly.
No drama. We are similar in that we both avoid drama – and the people who spew it – so one of us getting drawn into the chaos of the other one’s personal life issues is never a problem for us. This zero tolerance for drama, in fact, is probably the glue that holds this whole thing together. (Sure, we each tell the other what’s going on in our lives – we’re friends and that’s what friends do – but we don’t dwell. We go to work.)
So kindness, honesty, and a no drama policy is what makes up the respect facet of this deal. Then there is loyalty.
Loyalty comes into play because we are given a lot of advice by outside forces, and sometimes, the advice is not good. We’ve made a firm pact that no decisions will be made without the consent of the other one. No one is allowed to call one of us and discuss changes behind the other’s back. We are business partners, and we operate as such, no exceptions.
With loyalty comes trust, which could easily be the fourth part of the sum. We trust each other with the characters, the storyline, and on a personal level as well, but this trust is built on the foundation of the respect, honesty, and loyalty to which we adhere.
And now that the personal elements of our collaboration have been covered, we come to the creative part of the process.
Each day we spend an hour or two in the morning warming up. We chat, we do our PR and marketing work, whether it’s writing a blog, posting to Facebook, or answering interview questions. We spend a little time studying some aspect of our business most mornings as well, whether that’s going through a lot of covers or promotional posters and talking about what we like and dislike, discussing articles we’ve just read on traditional vs indie publishing, or anything else writing-oriented. We tell some jokes. We laugh a lot.
And then we get down to writing. If we’re having trouble getting going, we get silly, each sneaking in outrageous dialogue or descriptions for the other to laugh at. That’s actually one of the best tricks we’ve found for getting a scene moving. We’ll add on to the silliness, each of us, and suddenly the scene comes to life and, when we’re done, we remove the goofy stuff.
We each enjoy following certain characters and take the lead on our favorites, but we are also careful to switch off so that we each know every character well. To us, familiarity with our characters – all of them – is vital to the story.
While, individually, we both do a lot of world-building in order to get to know our characters and their locale, together, we probably spend twice as much time doing this. When you are collaborating, the littlest details become important and are (usually) best figured out beforehand because both of us must know whether a character has dimples or drives a beat-up old Chevy or hates seafood. Otherwise, incongruities can get past us, unnoticed.
The characters’ voices, however, evolve during writing and whoever creates the voice sets the tone the other follows for that character. For example, a character in one of our upcoming novels has a unique way of swearing that Alistair made up. We both love voicing her and work together to get the most insane profanities out of her as we write, always following Alistair’s original style.
While we occasionally write two scenes in tandem – this usually happens when we are writing one scene together and one of us is inspired by something the other writes – we still consider ourselves to be writing together; after all, via Skype, we have instant access to one another. After that, we go over both scenes together and make sure everything is in synch and do a light edit. Mostly, though, we quite literally write together. One of us may write most of a scene with the other trailing along fixing things, or simply taking in the tale as it evolves. Sometimes we take turns in the same scene. Tamara often takes over descriptions of locale because she really enjoys it. Alistair enjoys writing certain situations and takes those. We think the main reason one or the other of us takes the lead, though, is character. We each have our favorites.
We write in similar voices and have similar sensibilities, senses of humor, likes and dislikes, and this, of course, is part of our chemistry. But if you have a collaborator you constantly disagree with, our question is why? If you have nothing in common, how can you enjoy your work – or one another?
We received some great feedback the other day. After reading The New Governess, the first installment of our Gothic Erotica serialized novel, The Erotic Adventures of Belinda, a reader said to us: “Which one of you wrote this? I can’t tell.” To which we happily answered, “We both wrote it.” And we did. Just like we wrote this blog. Together, in the Cloud.
For more, visit us at: http://tamarathorne.com and http://alistaircross.com
I created this blog to talk about my books, dish some trivia and goof around in a bookish way, but until now, I haven’t had a moment to do much of anything but announce links and signings. Well, as of last week, with the uploading of Haunted, the last of four titles (Candle Bay, Moonfall and Eternity) I retained e-rights to, the conversions are complete and it’s back to full-time writing for me, with a little blog talk on the side. And as if he somehow knew all this, Michael Evans invited me to follow him in The Next Big Thing Blog Hop, so won’t you please join me now as I venture into these questions? It’s a dirty job and we may come out with a lot of dirt under our nails, but, hey, free dirt!
What is the working title of your book? CBII, Candle Bay Part Deux, Candle Bay: The Sequel, and occasionally, Roadtrip! I’ll know the real title when it decides to reveal itself in all its pulsing naked glory. Whatever it’s called, the book follows the vampiric Darling Family through a scary but rollicking new adventure and also reveals, at long last, whether or not our heroine goes under the fang.
Where did the idea come from for the book? From some of the characters in Candle Bay. Those troublesome vampire twins, Juicy Lucy and Poison Ivy, have been pestering me about their need for a roadtrip ever since I typed the last word on the last page of the original Candle Bay.
What genre does your book fall under? Horror. In Tag-speak, that’s Vampires, Ribaldry, Humor, Atlantis, Eternity, American Folklore, Sex, and Puns.
Which actors would you choose to play your characters in a movie rendition? Orion Darling, head of the Darling Family (the vampires who own the Candle Bay Hotel) must be played by Robert DeNiro. That is, Robert DeNiro impersonating Marlon Brando as The Godfather. It says that much in Candle Bay. He owes me.
Ori’s daughter, business-vampire, Natasha, would be perfect for Katherine Zeta-Jones, though some may argue that she’s getting a little long in the tooth for the role… But I say, viva irony! Brothers Stephen and Ivor Darling, can be played by any Chris-Sarandon-in-his-prime tall dark and hunksome actors. Forever teens, Lucy and Ivy, with their insatiable appetites have always been a pair of wicked little Dushku-types.
Trueborn vampire, Julian Valentyne, is named after Julian Sands. Hint, hint, nudge, nudge, know what I mean? In my mind, Julian is a cross between Sands and Richard O’Brien’s Riff Raff in Rocky Horror Picture Show, but for the movies, I think going with the yummier aspect is a good plan.
As for Amanda Pearce, she’s blond and perky, with a wide streak of snark and a decent dose of brains. Someone with some range and a pixy nose will do. And the ever-present (he pops up in lots of books), DJ Coastal Eddie Fortune, could be handily played by either John Corbett or the long-haired hippie schoolteacher from Beavis and Butthead.
What is the one-sentence synopsis of your book? “Oh, crap, this dire situation requires a ROADTRIP!”
Will your book be self-published or represented by an agency? I tend to be a traditionalist.
How long did it take you to write the first draft of your manuscript? I’m writing it now. It will take three or four months more and I aim to turn it in in June.
Who or what inspired you to write this book? Inspiration came from the research for the first book as well as characters Julian and the twins. Between the stories Julian told them about Euloa/Atlantis and other places he visited, and my continuing fascination with Mt. Shasta’s lore, it was inevitable. I first got into Shasta’s crazy lore (which includes vampires, Atlantis and just about every other beloved trope) when I wrote Eternity. Then I carried it into Candle Bay. Icehouse Mountain is my version of Mt. Shasta.
What else about your book might pique the reader’s interest? Besides lots of sex? And tongue-in-cheekiness (and other places)? Well, my vampires are connoisseurs of blood. They taste by type and while they do appreciate a nice little house vein, they give bottles of rare blends to one another at Vampire New Years parties and bat mitzvahs. (They’ve asked me to counsel you to never order a BO Negative.) And hey, what else is there? A freaking roadtrip! Who doesn’t love a roadtrip! I call shotgun!
A week from today, follow the links below to read more Next Big Thing Blogs. You just might find entries from the lovely Jared Anderson, the gorgeous Gryffyn Phoenix, the delightful Janice Oberding, and the absolutely fabulous Writer to be Announced. He’s tops in the field!
Tamara Thorne's Little Blog of Horrors 